forked from CryHavoc/dottes
Revise intro wording on documents and website.
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@ -108,9 +108,9 @@ anniversary in 2013.
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\chapter{Introduction}
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\chapter{Introduction}
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After every practice or dance-out, the musicians of Cry Havoc Botley
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Music forms a core part of Cry Havoc Botley Morris. Of course, the
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Morris like to have a little music-playing session. And, of course,
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musicians provide the music we dance to. And after every practice or
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the musicians provide the music we dance to.
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dance-out, there is a music-playing session.
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Havoc musicians come in all shades of experience and ability.
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Havoc musicians come in all shades of experience and ability.
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This collection is intended to help those like me who are inexpert with
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This collection is intended to help those like me who are inexpert with
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@ -21,8 +21,9 @@
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<div class="grid_12 dottes-body">
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<div class="grid_12 dottes-body">
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<h1>The music of Cry Havoc, a reference.</h1>
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<h1>The music of Cry Havoc, a reference.</h1>
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<p>After every practice or dance-out, the musicians of Cry Havoc
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<p>Music forms a core part of Cry Havoc Botley Morris. Of course, the
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Botley Morris like to have a little music-playing session.
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musicians provide the music we dance to. And after every practice or
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dance-out, there is a music-playing session.
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<p>Havoc musicians come in all shades of experience and ability.
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<p>Havoc musicians come in all shades of experience and ability.
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This collection is intended to help those like me who are inexpert with
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This collection is intended to help those like me who are inexpert with
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instrument and folk music generally, but have a little musical
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instrument and folk music generally, but have a little musical
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@ -32,12 +33,19 @@
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played at Havoc sessions. I'm in no way suggesting that they are
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played at Havoc sessions. I'm in no way suggesting that they are
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in any way <em>correct</em>. This is just how we go about them.</p>
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in any way <em>correct</em>. This is just how we go about them.</p>
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<p>The tunes we play tend to vary over time. So this collection is
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<p>The tunes we play tend to vary over time. So this collection is
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not static, but will change over time. I'll probably not delete tunes,
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not static, but will change over time. Lesser used tunes, or simply
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but at some stage may get round to marking some as less used.</p>
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tunes that I like but are not in general Havoc currency, are in
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<p>All tunes are believed to be in the public domain, or at the
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the Library collection.</p>
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very least enjoy widespread currency on the folk music scene. If I have
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<p>The majority of tunes here have no identifiable author, and
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inadvertantly transgressed on anyone's copyright, please contact me at
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are unquestionably in the public domain. Rather than litter the
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the address below and I will remove the offending tune.
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pages with <em>Trad.</em> or <em>Anon.</em>, I have left them
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unattributed. Some, however, have an identifiable author or
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arranger and copyright unquestionably remains with that person.
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I believe these tunes to enjoy widespread currency on the folk
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music scene, and therefore there is at least tacit approval by
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the authors for their dissemination. If this is not the case,
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please contact me at the address below and I will remove the
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offending tune.
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<div class="dottes-container">
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<div class="dottes-container">
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<div class="dottes-transpose-instrument">
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<div class="dottes-transpose-instrument">
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<div class="dottes-transpose-instrument-item dottes-transpose-instrument-name">
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<div class="dottes-transpose-instrument-item dottes-transpose-instrument-name">
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@ -124,6 +132,7 @@
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src="http://i.creativecommons.org/l/by-sa/2.0/uk/88x31.png"/>
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src="http://i.creativecommons.org/l/by-sa/2.0/uk/88x31.png"/>
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</a>
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</a>
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<br />
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<br />
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The collection of tunes that is
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<span xmlns:dct="http://purl.org/dc/terms/"
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<span xmlns:dct="http://purl.org/dc/terms/"
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property="dct:title">Ye Crie Havock Booke of Dottes</span>
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property="dct:title">Ye Crie Havock Booke of Dottes</span>
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by <a xmlns:cc="http://creativecommons.org/ns#"
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by <a xmlns:cc="http://creativecommons.org/ns#"
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