forked from CryHavoc/dottes
187 lines
8.4 KiB
HTML
187 lines
8.4 KiB
HTML
<!DOCTYPE html>
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<html lang="en">
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<head>
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<meta charset="utf-8" />
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<meta name="viewport" content="width=device-width, initial-scale=1.0">
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<title>Ye Crie Havock Booke of Dottes</title>
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<link rel="stylesheet" href="css/dottes.css" />
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<link href='http://fonts.googleapis.com/css?family=Pirata+One|Open+Sans'
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rel='stylesheet' type='text/css'>
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</head>
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<body>
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<div class="container">
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<a href="/">
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<div class="header-strip banner">
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<img src="img/banner.png">
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</div>
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</a>
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<div class="dottes-body">
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<h1>The music of Cry Havoc, a reference.</h1>
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<p>Music forms a core part of Cry Havoc Botley Morris. Of course, the
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musicians provide the music we dance to. And after every practice or
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dance-out, there is a music-playing session.
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<p>Havoc musicians come in all shades of experience and ability.
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This collection is intended to help those like me who are inexpert with
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instrument and folk music generally.</p>
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<p>Being folk tunes, many of the tunes herein have many variations.
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The music presented here is my attempt at reflecting what is actually
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played at Havoc sessions. I'm in no way suggesting that they are
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in any way <em>correct</em>. This is just how we go about them.</p>
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<p>The tunes we play tend to vary over time. So this collection is
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not static, but will change over time. Lesser used tunes, or simply
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tunes that I like but are not in general Havoc currency, are in
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the Library collection.</p>
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<p>The majority of tunes here have no identifiable author, and
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are unquestionably in the public domain. Rather than litter the
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pages with <em>Trad.</em> or <em>Anon.</em>, I have left them
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unattributed. Some, however, have an identifiable author or
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arranger and copyright unquestionably remains with that person.
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I believe these tunes to enjoy widespread currency on the folk
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music scene, and therefore there is at least tacit approval by
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the authors for their dissemination. If this is not the case,
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please contact me at the address below and I will remove the
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offending tune.</p>
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<div class="dottes-transpose-container">
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<div class="dottes-transpose-instrument">
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<div class="dottes-transpose-instrument-item dottes-transpose-instrument-name">
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<h1>Tunes</h1>
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</div>
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<div class="dottes-transpose-instrument-item dottes-transpose-how">
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<p>The tunes are separated into tune collections.
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</div>
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<div class="dottes-transpose-instrument-item dottes-transpose-tune-types">
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<ul class="tune-type-list">
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<li><a href="Morris">Morris</a></li>
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<li><a href="Session">Session</a></li>
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<li><a href="Library">Library</a></li>
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</ul>
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</div>
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</div>
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</div>
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</div>
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<div class="dottes-body">
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<h1>But my instrument isn't suited for treble clef concert pitch!</h1>
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<p>Of course, not all instruments are suited to playing music written
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in concert pitch in the treble clef.</p>
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<p>To help those with such instruments get started, I've done some
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simple transpositions for requested instruments. These are
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<strong>not</strong> proper arrangements; I lack the time and the
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knowledge or ability to do that. Instead, they are automatically
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generated from the concert pitch originals using a typically very
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simple method.
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<p>I hope you find them useful.</p>
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<div class="dottes-transpose-container">
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<div class="dottes-transpose-instrument">
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<div class="dottes-transpose-instrument-item dottes-transpose-instrument-name">
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<h1>Cello</h1>
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</div>
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<div class="dottes-transpose-instrument-item dottes-transpose-how">
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<p>Transpose down one or two octaves depending on the range in the
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tune, and use the bass clef.</p>
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</div>
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<div class="dottes-transpose-instrument-item dottes-transpose-tune-types">
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<ul class="tune-type-list">
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<li><a href="Morris-Cello">Morris</a></li>
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<li><a href="Session-Cello">Session</a></li>
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<li><a href="Library-Cello">Library</a></li>
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</ul>
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</div>
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</div>
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</div>
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<div class="dottes-transpose-container">
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<div class="dottes-transpose-instrument">
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<div class="dottes-transpose-instrument-item dottes-transpose-instrument-name">
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<h1>Horn in F</h1>
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</div>
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<div class="dottes-transpose-instrument-item dottes-transpose-how">
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<p>Transpose up a fifth, or down a seventh depending on the
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range in the tune. To avoid scaring less able horn players such
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as myself, the transposed score will prefer going below middle C
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to going above the top G on the stave. Able horn players
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can transpose in their heads anyway, so don't need this.</p>
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</div>
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<div class="dottes-transpose-instrument-item dottes-transpose-tune-types">
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<ul class="tune-type-list">
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<li><a href="Morris-HornInF">Morris</a></li>
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<li><a href="Session-HornInF">Session</a></li>
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<li><a href="Library-HornInF">Library</a></li>
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</ul>
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</div>
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</div>
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</div>
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<div class="dottes-transpose-container">
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<div class="dottes-transpose-instrument">
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<div class="dottes-transpose-instrument-item dottes-transpose-instrument-name">
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<h1>Alto recorder using C fingering</h1>
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</div>
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<div class="dottes-transpose-instrument-item dottes-transpose-how">
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<p>Transpose down a fifth, or up a seventh depending on the
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range in the tune. This allows players familiar with the
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descant recorder to use the fingering they already know
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when playing the alto recorder, rather than having to
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learn F fingering.</p>
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</div>
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<div class="dottes-transpose-instrument-item dottes-transpose-tune-types">
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<ul class="tune-type-list">
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<li><a href="Morris-AltoRecorderCFingering">Morris</a></li>
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<li><a href="Session-AltoRecorderCFingering">Session</a></li>
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<li><a href="Library-AltoRecorderCFingering">Library</a></li>
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</ul>
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</div>
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</div>
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</div>
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</div>
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<div class="dottes-body">
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<h1>Who is responsible for this?</h1>
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<p>Found a mistake, missing a tune or just want something changed?
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Email Jim at <a href="mailto:dottes@cryhavoc.org.uk">
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dottes@cryhavoc.org.uk</a>.</p>
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</div>
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<div class="dottes-body">
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<h1>Acknowledgements</h1>
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<p>A few tunes here are from <a href="http://www.paulhardy.net/">
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Paul Hardy's Session Tunebook</a>. Many thanks to Paul for
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licensing it under permissive terms. I have followed his lead
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and used the same <a href="#licencing">licence</a> for the
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Booke of Dottes.</p>
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<p>One icon on this website is courtesy
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of <a href="www.creativefreedom.co.uk">Creative Freedom</a>.
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Thanks to them.
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<p>Above all, profuse and grateful thanks to all my fellow
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Havocs, notably MickP, Nerys, Susie and Ed, and most especially
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to Jane. They have supplied the tunes,
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checked the renditions, and offered corrections and suggestions.
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Without them, this project couldn't have happened.</p>
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</div>
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<div class="dottes-body">
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<p>
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<a rel="license"
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href="http://creativecommons.org/licenses/by-sa/2.0/uk/deed.en_US">
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<img alt="Creative Commons License" style="border-width:0"
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src="http://i.creativecommons.org/l/by-nc-sa/2.0/uk/88x31.png"/>
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</a>
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<br />
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The collection of tunes that is
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<span xmlns:dct="http://purl.org/dc/terms/"
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property="dct:title">Ye Crie Havock Booke of Dottes</span>
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by <a xmlns:cc="http://creativecommons.org/ns#"
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href="dottes.cryhavoc.og.uk" property="cc:attributionName"
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rel="cc:attributionURL">Jim Hague</a>
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is licensed under a
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<a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/2.0/uk/">
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Creative Commons Attribution-NonCommercial-ShareAlike 2.0 UK: England & Wales
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License</a>.
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</p>
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</div>
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</div>
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</body>
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</html>
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