diff --git a/web/css/dottes.css b/web/css/dottes.css index bd36b5b..ed64145 100644 --- a/web/css/dottes.css +++ b/web/css/dottes.css @@ -7,8 +7,6 @@ body { background-image: url('../img/purple-fabric-background.jpg'); color: #000000; height: auto; - padding-top: 0px; - padding-bottom: 20px; font-family: 'Open Sans', sans-serif; } @@ -21,7 +19,6 @@ h1 { p { background: white; - margin: 10px; } div.banner @@ -41,9 +38,6 @@ div.banner -moz-border-radius-bottomright: 5px; border-bottom-left-radius: 5px; border-bottom-right-radius: 5px; - - margin-top: 5px; - margin-bottom: 5px; } div.banner img @@ -69,6 +63,7 @@ div.banner h1 div.dottes-body { background-color: white; + -webkit-border-top-left-radius: 5px; -webkit-border-top-right-radius: 5px; -moz-border-radius-topleft: 5px; @@ -85,18 +80,18 @@ div.dottes-body margin-top: 5px; margin-bottom: 5px; + + padding: 10px; } div.dottes-body h1 { - margin: 10px; text-align: left; } -div.dottes-container +div.dottes-transpose-container { border: 2px solid grey; - margin: 10px; } div.dottes-transpose-instrument @@ -109,6 +104,7 @@ div.dottes-transpose-instrument-item { display: table-cell; vertical-align: middle; + padding: 5px; } div.dottes-transpose-instrument-name @@ -128,7 +124,6 @@ div.dottes-transpose-tune-types div.dottes-tune-display { - margin: 10px; } div.dottes-tune-header @@ -222,18 +217,21 @@ div.dottes-tune-footer-row div.dottes-tune-footer-links { display: table-cell; + vertical-align: middle; } div.dottes-tune-footer-play { display: table-cell; text-align: center; + vertical-align: middle; } div.dottes-tune-footer-last { display: table-cell; text-align: right; + vertical-align: middle; } div.dottes-tune-learner @@ -316,6 +314,7 @@ ul.tune-data-list { list-style-type: none; margin: 0px; + padding: 0px; } ul.tune-data-list li diff --git a/web/index.html b/web/index.html index fea9f23..43a7b6e 100644 --- a/web/index.html +++ b/web/index.html @@ -13,7 +13,7 @@
@@ -42,8 +42,8 @@ music scene, and therefore there is at least tacit approval by the authors for their dissemination. If this is not the case, please contact me at the address below and I will remove the - offending tune. -
+ offending tune.

+

Tunes

@@ -65,7 +65,7 @@

But my instrument isn't suited for treble clef concert pitch!

Of course, not all instruments are suited to playing music written - in concert pitch in the treble clef. + in concert pitch in the treble clef.

To help those with such instruments get started, I've done some simple transpositions for requested instruments. These are not proper arrangements; I lack the time and the @@ -74,14 +74,14 @@ simple method.

I hope you find them useful.

-
+

Cello

Transpose down one or two octaves depending on the range in the - tune, and use the bass clef. + tune, and use the bass clef.

    @@ -92,7 +92,7 @@
-
+

Horn in F

@@ -102,7 +102,7 @@ range in the tune. To avoid scaring less able horn players such as myself, the transposed score will prefer going below middle C to going above the top G on the stave. Able horn players - can transpose in their heads anyway, so don't need this. + can transpose in their heads anyway, so don't need this.

    @@ -128,17 +128,18 @@ Paul Hardy's Session Tunebook. Many thanks to Paul for licensing it under permissive terms. I have followed his lead and used the same licence for the - Booke of Dottes. + Booke of Dottes.

    One icon on this website is courtesy of Creative Freedom. Thanks to them.

    Above all, profuse and grateful thanks to all my fellow - Havocs, and to Jane. They have supplied the tunes, checked the - renditions, and offered corrections and suggestions. Without them, - this project couldn't have happened. + Havocs, and most especially to Jane. They have supplied the tunes, + checked the renditions, and offered corrections and suggestions. + Without them, this project couldn't have happened.