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\input{docclass.tex}
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\usepackage{array}
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\usepackage{color}
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\usepackage{fontspec}
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\usepackage{graphicx}
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\usepackage{fancyhdr}
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\usepackage{tabularx}
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\usepackage{longtable}
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\usepackage[UKenglish]{babel}
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\usepackage[UKenglish]{isodate}
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% Non-indented paragraphs with space between them.
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\usepackage{parskip}
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% 2 column table of contents.
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\usepackage[toc]{multitoc}
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\usepackage{hyperref}
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\hypersetup{
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bookmarks=true,%
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colorlinks=true,%
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citecolor=black,%
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filecolor=black,%
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linkcolor=black,%
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urlcolor=black
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}
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% ----- Common variables
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2013-07-12 11:36:14 +01:00
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\newcommand{\build}{\input{buildno.txt}}
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\newcommand{\instrument}{\input{instrument.txt}}
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% Havoc purple is #9900cc.
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\definecolor{havocpurple}{rgb}{0.597,0,0.797}
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% ----- Macros
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\makeatletter
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\def\ifemptyarg#1{%
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\if\relax\detokenize{#1}\relax % H. Oberdiek
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\expandafter\@firstoftwo
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\else
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\expandafter\@secondoftwo
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\fi}
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\makeatother
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% Show the main tune graphic and optional change.
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% Args are tune name, tune title, tune subtitle, composer, tune graphic
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% filename, notes, history.
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\newcommand{\showtune}[7]{%
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\phantomsection
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\begin{tabularx}{\textwidth}{LCR}
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\addcontentsline{toc}{section}{#2}
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& \hypertarget{#1}{\Large{#2}} & \emph{#4} \\
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\ifemptyarg{#3}{}{%
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& #3 & \\
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}
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\multicolumn{3}{c}{%
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\includegraphics[width=\textwidth,height=0.8\textheight,keepaspectratio]{#5}%
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}\tabularnewline
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\end{tabularx}
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#6
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#7
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\vfill
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}
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% Show the tune first line. Generate table row.
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% Args are the tune name, tune title and the first line graphic filename.
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\newcommand{\showfirstline}[3]{%
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\hyperlink{#1}{#2} & %
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\raisebox{-.4\height}{\includegraphics[width=0.77\textwidth]{#3}} \\
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}
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% ----- Paper size document setup
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\input{docsetup.tex}
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% ----- Appearance
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% Lettering in the tune images is in Times, so go with that for consistency.
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\setmainfont{Times New Roman}
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% Don't show section numbers.
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\setcounter{secnumdepth}{-1}
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% -----
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\begin{document}
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% ----- Headers and footers
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\pagestyle{fancyplain}
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\fancyhf{}
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\cfoot{\thepage}
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\renewcommand{\headrulewidth}{0pt}
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\pagestylemod
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\frontmatter
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% No page numbering for now, thanks.
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\pagenumbering{gobble}
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% ----- Title page
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\newgeometry{margin=0.5in}
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\begin{titlepage}
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\titleBoD
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\end{titlepage}
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\restoregeometry
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% ----- First inside pages. No page numbering here, thanks.
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% Publisher info page.
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\vspace*{\fill}
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{\small \raggedright
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\textbf{Ye Crie Havoc Booke of Dottes}
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Tune collection and presentation is copyright \copyright{} Jim Hague 2013
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and is licensed under a Creative Commons
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Attribution-NonCommercial-ShareAlike 2.0 UK: England \& Wales License.
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Details at \url{http://creativecommons.org/licenses/by-nc-sa/2.0/uk/}.
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Some tunes are reproduced from Paul Hardy's Session Tunebook
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(\url{www.paulhardy.net}).
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The right of Jim Hague to be identified as the author of this work has been
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asserted by him in accordance with the Copyright, Designs and Patents Act 1998.
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First published in the UK 2013 by Jim Hague.
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The Booke of Dottes is a constant work in progress. The latest version
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is always available from \url{http://dottes.cryhavoc.org.uk/}.
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This is issue \build, generated \today.
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\textbf{Technical data}
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Book sources can be found at in a Mercurial
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(\url{http://mercurial.selenic.com}) repository at
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\url{http://hg.cryhavoc.org.uk/dottes/}. Tunes are
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in abc notation (\url{http://abcnotation.com/}).
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Music typeset by abcm2ps (\url{http://moinejf.free.fr/}).
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Document typeset by {\LaTeX} using {\TeX} Live on a Debian Linux system.
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Grateful thanks to all contributors to abc, {\LaTeX}, Debian,
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Linux and related software.
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}
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\newpage
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% Dedication page.
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\vspace*{\fill}
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\begin{center}
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{\Large to Jane} \\
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{\large \emph{for the music, and the dance}}
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\end{center}
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\vspace*{\fill}
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\newpage
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% ----- Here we go with numbered frontmatter pages.
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\pagenumbering{roman}
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\chapter{Introduction}
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Music forms a core part of Cry Havoc Botley Morris. Of course, the
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musicians provide the music we dance to. And after every practice or
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dance-out, there is a music-playing session.
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Havoc musicians come in all shades of experience and ability.
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This collection is intended to help those like me who are inexpert with
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instrument and folk music generally, but have a little musical background.
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Being folk tunes, many of the tunes herein have many variations.
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The music presented here is my attempt at reflecting what the musicians
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of Cry Havoc play. I'm in no way suggesting that they are
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in any way \emph{correct}. This is just how we go about them.
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The majority of tunes in this book have no identifiable author, and
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are unquestionably in the public domain. Rather than litter the
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pages with \emph{Trad.} or \emph{Anon.}, I have left them unattributed.
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Some, however, may have an identifiable author or arranger and copyright
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unquestionably remains with that person. I believe these tunes to
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enjoy widespread currency on the folk music scene, and therefore there
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is at least tacit approval by the authors for their dissemination.
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If this is not the case, please contact me at
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\href{mailto:dottes@cryhavoc.org.uk}{\url{dottes@cryhavoc.org.uk}} and I will
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remove the offending tune.
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\section{About Cry Havoc}
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Cry Havoc are a friendly mixed Cotswold Morris side based in Botley, Oxford.
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We practice between September and April on Thursday evenings at the
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Botley Womens' Institute Hall, North Hinksey Lane, Botley, Oxford OX2 0LT and
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dance out in the summer months at locations around Oxfordshire.
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Find out more at \url{http://www.cryhavoc.org.uk/}, or email
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\href{mailto:bag@cryhavoc.org.uk}{\url{bag@cryhavoc.org.uk}} for more
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information. Would-be dancers or musicians always welcome.
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The Booke of Dottes was first produced to mark Cry Havoc's 20th
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anniversary in 2013.
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% -----
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\tableofcontents
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% -----
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\mainmatter
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\input{tunes.tex}
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% -----
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\cleardoublepage
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\chapter{List of tune first lines}
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You know the feeling. Everyone has just launched into a well-loved tune.
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You've heard it before, but don't remember the name. So here's a list of
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tune first lines to help you figure out what it is in time to join in.
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\input{firstlines.tex}
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% ----- Back cover page. A plain purple page.
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\backmatter
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\input{docend.tex}
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\end{document}
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